Friday, May 4, 2018

Good Boys

WATCH DOGS:  For about 24 hours, we had four dogs, two fish and a cat sharing our space. The 'extra' pets were a pair of Doberman, Pretzel and Strudel.
Sweet and strong, they kept us busy!  I'm certain they didn't get anywhere near as many dog naps as they're used to during their visit with us. I'll bet they're sacked out right now, trying to make up for lost time.

INSIGHTFUL:  Launch alert! On Saturday, May 5, NASA's InSight Mars lander is set to launch from Vandenberg Air Force Base in Southern California.
Above, you see NASA's InSight Mars lander inside its protective payload fairing and moved to the launchpad to be attached to its United Launch Alliance Atlas V rocket at Vandenberg Air Force Base in California. Credit: USAF 30th Space Wing/Daniel Herrera

Annabelle can tell you more about the mission. ... 
NASA’s InSight (short for Interior Exploration using Seismic Investigations) mission will launch on May 5th, 4:05 AM PT. It will be the first interplanetary mission launched from the West coast, specifically California. The mission will give Mars a “check-up” and perform a deep analysis on its inner parts. InSight will check Mars’ “vital signs” beneath the surface, including its seismology (“pulse”), heat flow (“temperature”), and precision tracking (“reflexes”). The lander will be followed by two smaller satellites known as “MarCO”- Mars Cube One- due to their cubed shape. The mini-spacecraft MarCOs will arrive at Mars just behind InSight and help transmit info back to Earth. Once InSight and the MarCOs do their job, we can learn much more about Mars’ past, how it was formed, and even a little bit about other rocky planets like it.
An artist's illustration of NASA's InSight Mars lander on the Red Planet. Credit: NASA/JPL-Caltech

West (U.S.) Coasters will have to be up early to watch the launch, as it's scheduled for 4:05 a.m. our time.

You can watch live online at Space.com courtesy of NASA TV, beginning at 3:30 a.m. Pacific time. Of course, NASA TV will also have coverage: https://www.nasa.gov/live

Here's a little bit more about the mission. ...
https://youtu.be/LKLITDmm4NA


Thursday, May 3, 2018

Operatic

A NIGHT AT THE OPERA: Thanks to a friend of mine and some sweet, discount tickets, this spring we have been introduced to the stunning spectacle that is the Seattle Opera. 
Wednesday evening, we attended the epic "Aida." Following is what Annabelle had to say about the production. ...
The Seattle Opera is currently running their production of Aida, a story where “Conflicted loyalties spell doom for star-crossed lovers”, as the program puts it. The titular character is a servant in Egypt after her capture during an ongoing war. She falls in love with a soldier named Radamès, who is then selected to lead the charge against Aida’s home country. Aida, torn between love for Radamès or her home, accidentally lets her feelings spill to the princess, Amneris- who also wishes to win Radamès’ heart! When Radamès returns from battle successful, Amneris has already convinced her father to let her marry Radamès as a reward for his deeds! Aida is heartbroken, especially once she sees, among the prisoners, her father- the king of the rival country.
Aida’s beautiful set was designed by Los Angeles graffiti artist RETNA, and it has a very distinct style that lends well to the story. There is almost no dialogue outside of songs- and all of it is in Italian. A lot of thought obviously went into the costumes, which were intricate and brightly colored, contrasting the mostly monotonous background of red, black, and white. It’s a stunning production and the theater gives it a PG rating- meaning you could bring kids if you’re alright with themes of war and death. The theater will show Aida until May 19, so if you want a chance to see the show you should go quickly!
https://youtu.be/WwXrV56iYH0


DOG DAYS: This afternoon, we spent most of our time herding canines. In the house we had two fish, four dogs and one cat. It keeps a person busy. 

Below is a quieter moment. :)



Tuesday, May 1, 2018

Arts Aplenty

THE SOUND OF SILENCE: While Annabelle and I were busy working elsewhere, CJ and Christian had a chance to visit the historic Paramount Theatre and enjoy a midday matinee featuring a silent movie and live organ accompaniment.

CJ will be happy to tell you more about it. ...
Monday morning, I went to the Paramount Theatre in downtown for a Silent Movie Monday event, where multiple silent films (films generally dating from 1904 to 1928, according to the host) were shown. I went as part of a field trip with Cascade Parent Partnership Program students.
The first silent movie we were shown, Alice the Whaler, was actually a Walt Disney project, from his early days in the animation industry. Alice the Whaler was one of many "Alice Comedies", projects Disney made featuring various actresses playing the title character, Alice, with animated visuals as a background. Alice the Whaler was a six-minute long short featuring Alice, accompanied by several other characters, on a boat and dancing instead of, well, whaling (until the very end of the short).

The second silent movie we were shown, Love at First Flight, is an obscure live-action short that came out in 1928, the same year the Paramount Theatre opened. Love at First Flight is mostly dedicated to showing off several attractive women in swimsuits (gee, that sounds familiar), with the plot serving as an excuse.
Both films had live soundtracks played by organist Christian Elliott, who stated that he worked with multiple silent-era film industry people. Elliott often improvises sections of the soundtracks, according to what he said at the event.
In addition to the show being entertaining, the lovely Paramount is always a star in its own right.
IN ADVANCE: Tomorrow night we'll be attending Seattle Opera's producion of "Aida."

In preparation, we checked out some videos today. One was all about the costumes for the production. It turns out that the wardrobe for Verdi’s epic love story includes over 200 costumes for singers, dancers, and the chorus. We watched an interview with designer Anita Yavich. From it, we learned about the color theory and historical influences behind her design choices. https://youtu.be/KwUXuwREl4g


Verdi’s Aida also includes several dance sequences, so we watched a video with show choreographer and contemporary dance leader Jessica Lang, whose work has been presented by Pacific Northwest Ballet. We learned the show will feature nine dancers.
https://youtu.be/1dlQEI9q3Hk

Monday, April 30, 2018

Let's Dance

MOVING: Last Friday we found ourselves in downtown Seattle for a cool performance and Q&A with the world-renowned Alvin Ailey American Dance Theater. 

I'll have CJ tell you a bit more about the experience. ... 

This morning, we went to the Moore Theatre downtown to see an hour-long performance by the Alvin Ailey American Dance Theater (AAADT), a dance company from New York City.  The show was at The Moore Theatre in downtown Seattle. 
The company was founded in 1958 by Alvin Ailey, a dancer and choreographer from Rogers, Texas. AAADT's most well-known production is Revelations, a three-part dance that was shown in part at the event we went to.
Alvin Ailey was born in 1931 and died in 1989 from complications relating to HIV/AIDS.
The performers at today's show included Michael Jackson Jr. (no, not related to the MJ you're thinking of), Jacqueline, Danica, Solomon, and Kanji. Aside from the aforementioned Revelations, AAADT performed excerpts from two other productions, from 1992 and 2005.
At the end of the show, the audience was given the opportunity to ask questions. I asked is the backup music was recorded, or played live. I was told by the performers that in the majority of performances (including this one), the music was recorded. However, AAADT does an annual Revelations Live event in New York City, where they have an orchestra play the backup music.
So that's CJ's take. (What he doesn't mention is that there were hundreds of hands up in the theater and he was lucky to get his question answered.) My impression(s)? My goodness, the dancers were so light on their feet! And they were *so* engaging, not just while dancing, but when connecting with the audience. It was lovely.

Below, you can see a video of one presentation of  "Revelations," Alvin Ailey's signature work. 

Thursday, April 26, 2018

The Beat Goes On

CERTIFIED: Wednesday morning we headed north early to get to Queen Anne in time for a very important class. 

Here's CJ to tell you more about it. ...
Wednesday, I visited the Cascade Parent Partnership Program campus to attend a two-hour class on how to administer cardiopulmonary resuscitation (CPR). CPR is a technique generally used to restore breathing to a person who has suffered a cardiac arrest or a heart attack.
The instructor set up dummies on stage, to practice CPR techniques on. Alongside the dummies present on stage, the instructor began playing a video depicting a man collapsing, and showing the proper things to do in an event where you need to administer CPR:
1 - Look around you and make sure the place you are in is safe. If so, proceed to the next step. If not, call 911. 
2 - Slap the shoulders of the victim, and ask "Are you okay?" If they respond, then they are conscious. If they do not respond. proceed to the next step.
3 - Yell for help. If one person arrives, tell them to call 911. If multiple people arrive, tell one to call 911, and another to retrieve an automated external defibrillator (AED). If nobody arrives, call 911 while retrieving an AED to the victim.
4 - Begin administration of CPR. Remove all clothing from the victim's chest area. Firmly press down on the "CPR spot" (the spot where the line between the victim's nipples and the line down from the center of their head cross) using both hands at 100 to 120 presses per minute.
If you get an AED, unpack the device and follow the instructions that you will hear from the device. Do not make contact with the victim while the shock from the AED is being given.
Continue to administer CPR. If police arrive due to the aforementioned 911 call, let them take over the emergency handling.
After the end of the class, cards that certified us in CPR administration were given to class attendees. The certifications are valid for two years.

Annabelle was in on the training, too. Here's her take. ...
Standard CPR practices have been renewed every 5 years, allowing the American Heart Association to continue developing the method that gives the best chance of survival. A representative from the American Heart Association came to our school to teach adult CPR. She mentioned that, for the purposes of CPR or AED usage, anyone 8 years old or older is considered an adult.
The AED is a unit in most work buildings that, when the pads are placed correctly on the body, will deliver an electric shock to the heart if needed. You have to be careful to not place the electric pads over a pacemaker, though. The AED will give you instructions on what to do and say out loud when you need to stay clear and not touch the victim in case of shock.
When performing CPR, there are multiple steps that must be followed in order: First, check the area to make sure it’s safe. If it isn’t, you may risk becoming a second victim. Second, tap the person on the shoulders and loudly ask if they are OK. If they respond, you may not have to perform CPR. Third, call for help, and have whoever arrives call 911 and grab the AED. Tell the operator your emergency, address, and that you know CPR. Keep the 911 operator on speaker so they can give you instructions while performing the CPR. Check for breathing by holding your ear to their face and watching their chest for rising and falling motions.
Begin the CPR by drawing a line in the middle of the torso and on the nipple line; this is where the heart is located. Place the heel of your dominant hand on that spot and clasp it with your other hand, locking your elbows and leaning over the body. Begin pressing at least 2 inches down at a rhythm of 100-120 beats per minute. A good way to remember this is to stick to the beat of “Stayin’ Alive” by the Bee Gees. Allow the chest to rise to its normal height before pressing again. A good rule of thumb is that if you hear cracking sounds, it’s a sign you are pressing hard enough. Continue doing this until help arrives. Knowing all this can help save someone’s life!


LAST CALL: If you want to visit the sun, well, at least in name, April 27 is your last chance! 

We're on board, in the form of our names on a microchip that's on the Parker Solar Probe.

When the probe launches, we'll all eventually plunge through the Sun's atmosphere, closer to the surface than any spacecraft before it. It's bound to get brutally hot, and radiation will be immense. The mission will provide humanity with the first-ever close-up view of a star.
(Illustration from Johns Hopkins University Applied Physics Laboratory)

To get in on the fun, just go to this website and register: http://parkersolarprobe.jhuapl.edu/The-Mission/Name-to-Sun/

You'll get a nifty ticket after you register!
https://youtu.be/QvrQCmnKsL0

Tuesday, April 24, 2018

HBD, Hubble


(Image: NASA, ESA, and STScI)
GREAT 28: Time to take a moment out of your April 24th to say, "Happy Birthday, Hubble!"

That's right, NASA's Hubble Telescope turned 28 today.

Back on April 24, 1990, Hubble launched aboard the space shuttle Discovery. The space telescope was deployed into Earth orbit a day later.

Since then, the telescope has been providing we Earthlings with amazing images of our universe.

Originally spec'ed to last a dozen years, Hubble has done more than double that amount! In fact, it continues to produce stunning images like the one above, of the incredible Lagoon Nebula.

To date, Hubble has logged over 163,000 orbits around our planet and has captured and transmitted over a million photos.

Of course, anyone who follows NASA news knows that Hubble's history came with some drama.  In June of 1990, Ed Weiler, the chief scientist with the Hubble Space Telescope program, had the inenviable task of telling a room full of reporters that NASA's new  $1.5 billion observatory's 94.5-inch primary mirror had been ground to the wrong shape, rendering it unable to bring starlight to a crisp focus. Oops. 
Due to an oversight during fabrication, the concave shape of Hubble's primary mirror was too shallow toward its outer edges by 2 microns, a tiny fraction of the width of a human hair. As a result, starlight was not brought to a focus at the same point, resulting in blurry images. These three images show the same star as viewed from a ground-based telescope, left, and from Hubble's uncorrected mirror, center. The corrected image, after a space shuttle repair mission in 1993, is seen on the right. NASA


However, the setback turned into a tremendous story of ingenuity and perseverance, as engineers precisely mapped the mirror's shape, and discovered it was misshapen due to a rather simple math error. Fortunately, fixes were developed in rather rapid fashion, and on a subsequent shuttle mission, some new hardware was delivered and some space walking astronauts installed it, and the rest is history.
Above, NASA astronaut John Grunsfeld, with the Hubble Space Telescope at his back, holds onto the shuttle’s robotic arm while working on the space telescope's repairs.

A while back, PBS aired "Invisible Universe Revealed," all about the Hubble. You can find it on YouTube.
https://youtu.be/GMhXPqUuqnM


Sunday, April 22, 2018

For the Record

BIRTHDAY BOY: On Friday, CJ turned 15. That meant a fun-filled day driven by his desires was mostly in store.

Our first stop was a 9 a.m. trip to iconic Easy Street Records in West Seattle.

A rather recent collector of vinyl record albums, CJ had been wanting to go to Easy Street for some time. However, his desire was dually-driven by the search for records AND the knowledge that Easy Street has a quirky onsite restaurant that's a bustling breakfast spot.  (The photo at the top of the post features a few of their breakfast specialties.)

I loved the store, because they love Bowie. :)
And now, here's Annabelle to tell you a little bit more about our visit on Friday. ...  
The Easy Street Café is inside Easy Street Records, a record store in West Seattle. The Café is open from 7 AM to 3 PM most days. We visisted the café for breakfast on my brother’s birthday, April 20.
Most of the menu options are puns on famous songs or artists, such as the “Eddie Feta” and “Notorious B&G”. When we ordered, our waitress made sure to get down any special requests we had for the chef. Speaking of the chef, our food took much longer than it should have to be done. Peeking into the window, we also noticed that he didn’t seem to be wearing a beard cap to prevent the hair from going in the food. Despite these complaints the food was delicious for everyone, although the steak was well-done and the eggs were over medium rather than over easy.
The waitress came around the café to fill coffees, which although helpful and courteous, was a bit annoying if you didn’t want more or had already added as much sugar and cream as you wanted. Overall, the main draw for the café is the food and the record store it’s attached to. If you’re in the area, I’d only recommend visiting if you have the time or are very interested in Easy Street Record’s selection.
Annabelle's right, it was a looong wait for breakfast. Fortunately, there was lots to look at as we waited.


We were a party of six, thanks to Rick and Rachel being able to join us, and the meals we ordered were all different. Christian said his Horton Heat Hash (named after the band Rev. Horton Heat) had some good heat. CJ's "Bluberry Hill Hotcakes" looked amazing. My Greek-flavored Eddie Feta scramble was tasty (and supposedly Pearl Jam's Eddie Vedder's own recipe).
All in all, it was a fun way to start CJ's birthday.

Later that day, we went to his favorite lunch/dinner spot, Wing Dome. And afterward, he got some complimentary birthday cake ice cream at Chuck's, another favorite spot of his.

That evening, big brother Kennedy took CJ and Annabelle to the 8-bit Arcade, where they beat a couple of vintage arcade games. So all in all, it was a standout fifteenth birthday!

ON THE HUNT: Saturday, we were up at 6 a.m. to make sure we were in Sodo, outside yet another record store, Silver Platters, by 7 a.m.

Why on Earth start our Saturday that way? Because it was national Record Store Day, a big darn deal if you're a record collector.
The day is full of very limited release issues of special recordings on different media (often colored vinyl, picture discs, special posters, etc.).

CJ is a huge Pink Floyd fan, and there was a special Record Store Day issue set for release: The Piper at the Gates of Dawn. It was Pink Floyd's debut album, and their one and only completed with the band's original vocalist and guitarist, Syd Barrett. Definitely psychedelic, the original recording is in mono and we suspected it was sure to be in BIG demand on Record Store Day 2018. Only 6,000 copies were pressed for U.S. distribution.  

While waiting in line, we studied what the cover looked like, so that we'd know it when we saw it if we were lucky enough to find it once inside the store.
We weighed our options and decided our best bet would be to try to find the title at Silver Platters, in Sodo.
And that's just what we did. We about 12th in line, I believe, when we took up our spot on the pavement in the morning cold. We were happy it wasn't raining, however. 

Below, CJ tells you more about the experience. 
Record Store Day is an event at bricks-and-mortar record stores across the country on 21 April each year. For each year's Record Store Day, there are several releases distributed to the bricks-and-mortar stores, often produced in limited quantities.
For this year's Record Store Day, I woke up earlier than I usually do to be in line at 7 A.M, waiting for our store of choice to open at 9 A.M. While my mother and I were waiting in line, the manager of Silver Platters (the record store we went to) gave instructions to the various people in line on where various sought-after Record Store Day releases were.
The release I was looking forward to the most was Pink Floyd's 1967 debut The Piper at the Gates of Dawn, the band's only album with Syd Barrett as the frontman (and without guitarist David Gilmour). This year's reissue of Piper was in mono (Syd Barrett reportedly dismissed stereo sound as a gimmick), and included an extra exterior sleeve and a poster.
Another release we got was David Bowie's posthumous live album Welcome to the Blackout, recorded in London, England on 30 June and 1 July of 1978. Blackout is a sequel to last Record Store Day's Cracked Actor, and, like its predecessor, is on a whopping three discs.
While it wasn't technically a Record Store Day release (it came out the day prior for its forty-fifth anniversary), one record we got was a reissue of David Bowie's Aladdin Sane on silver-colored vinyl. My mother spotted Aladdin Sane after we got the above two records, and immediately decided to bring it with us.
Lastly, we quickly decided to get an abnormally-shaped 10" 33 1/3 rotations per minute (RPM) record shaped like a Porg from the film Star Wars - The Last Jedi. The Porg featured two songs from The Last Jedi's soundtrack.
In addition to the albums, CJ got a cool swag bag with some Record Store Day giveaways.
If you want a taste of what Record Store Day looks like, check out this video posted by Easy Street of their event. (Easy Street is where we went on Friday, for CJ's birthday.)
https://www.youtube.com/watch?time_continue=94&v=saLo0REbJhE

All in all, our Record Store Day was a complete success, and we went home very happy with our treasures!

ON EARTH DAY: Google shared this message from Dr. Jane Goodall on Earth Day. I thought I'd share it with MPA readers.
https://youtu.be/q8v9MvManKE