Sunday, December 15, 2019

Show Time

The Museum of Pop Culture (MoPop), all lit up for a party on Friday night, when I dropped the kids off at Seattle Center.

PLAYING AROUND: Friday night, the kids attended a play that Annabelle had a keen interest in seeing. It started at 7:30, in a theater in the basement of the Seattle Armory building at Seattle Center. (That would be the bottom of the building illuminated in the background of this photo.
I dropped the kids off about 7, and after the show, in what was a first for the family, they made their own way (almost) home. They hopped the Monorail and rode it to Westlake Center, and then they got on the lightrail and rode it to the Rainier Beach station, just a couple miles from our house, where we picked them up.  It was definitely nice not having to drive into town twice to take and retrieve them. But enough about the logistics. I'll have CJ tell you a bit about the performance. ...
Since its original publication in 1986, the British fantasy novel Howl's Moving Castle has been read by thousands of people worldwide, and was notably the basis for the 2004 anime film of the same name. The basic plot of Howl's Moving Castle follows Sophie, a young woman who is turned into an ninety-year-old woman during her attempt to escape a dull life working at a hat shop. Sophie reaches an agreement with a fire-demon to return her back to her youthful self, but only if she can break a pact between the fire demon and the titular Howl - a powerful and notorious wizard.
In late November and most of December 2019, the Book-It Repertory Theatre in Seattle presented a musical adaptation of Howl's Moving Castle. Each performance lasted two and a half hours, with a fifteen-minute intermission. My sister and I saw a performance of Howl's Moving Castle on December 13th.
The month-long production at the Book-It Repertory Theatre serves as a test run for a potential future production of the musical. The program notes that "Howl's Moving Castle" is a new musical in development. Song titles are subject to change," printed on the list of musical numbers. According to my sister, the musical closely followed the plot of the book. Since I haven't read the book, I have to take her word for it. In my opinion, the musical had significant issues with pacing (such as spending nearly five minutes on one gag that has no relevance to the plot), odd dialogue and songwriting, and a general lack of energy from the performers. My sister told me that reading the book probably made it easier to follow the plot beats, which is why she seemed to have an easier time understanding the plot and characters than I did. In my opinion, the musical is definitely not ready for prime-time.
In conclusion, I think that the production of Howl's Moving Castle definitely has some compelling ideas and ambition, but the production at the Book-It Repertory Threatre should probably undergo significant re-writes (and possibly some re-casting, given the lack of energy) before increasing in scale.

And now, Annabelle's perspective. ...
On December 13th, I went with my brother to see the Book-It Theater's musical production of the book Howl's Moving Castle. The theater was quite small, only holding a couple hundred people at maximum, and it was mostly full during the show. The show itself had surprisingly few set changes, but that was somewhat necessary with the small cast & large amount of content they had to fit into the span of 2 1/2 hours. The actors all seemed to be having great fun in their roles, and I was especially a fan of how the actor playing the fire demon Calcifer portrayed his character. There were many costume changes by all but the main cast due to the amount of locations and characters present in the source material. 
As someone who has read the book, I had no trouble at all following the plot, but my brother (who has not read it) seemed to have a bit of trouble. While I do believe there were some scenes and moments that didn't need to be made into songs, the fact remains that the play was a musical and thus had many of them. For a production that's still in the works, I found it very enjoyable in many ways, but my major criticism would be that actors need to work more on enunciating important names and places instead of focusing all their energy on the melody of the song.
Annabelle got her program autographed after the show. Looks like a sizable cast. ...

COLLABORATION: I wanted to make a holiday card to send to a friend down in California. I know the family likes Star Wars, so I immediately struck upon the idea of making a "Baby Yoda" card. In case you haven't heard, a young version of what looks like Yoda appears in the new series "Mandalorian," and he's taking the Internet by storm.

Annabelle and I collaborated on the card. I did the easy part - sketching young Yoda in pencil. Annabelle did the heavy lifting - inking the design and then coloring and shading it. 

I was pretty pleased with the outcome.
We still need to color the background, but you get the picture. 

JUMPY: I haven't mentioned it in awhile, but the kids and I continue to hit the gym two to three times a week. As you can see, it's plenty of fun. 

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